| Great |
1 |
|
Bourdon |
16 |
|
| |
2 |
|
Open Diapason |
8 |
|
| |
3 |
|
Open Flute |
8 |
|
| |
4 |
|
Principal |
4 |
|
| |
5 |
|
Fifteenth |
2 |
|
| |
6 |
|
Mixture |
IV-V |
|
| |
7 |
|
Trumpet |
8 |
|
| |
i |
|
Choir to Great |
|
|
| |
ii |
|
Swell to Great |
|
|
| |
|
|
|
|
|
| Choir |
8 |
|
Stopped Diapason |
8 |
|
| |
9 |
|
Principal |
4 |
|
| |
10 |
|
Spitz Flute |
4 |
|
| |
11 |
|
Nazard |
2 |
2/3 |
| |
12 |
|
Gemshorn |
2 |
|
| |
13 |
|
Tierce |
1 |
3/5 |
| |
14 |
|
Mixture |
III-IV |
|
| |
15 |
|
Cremona |
8 |
|
| |
iii |
|
Great & Choir Tremulant |
|
|
| |
iv |
|
Swell to Choir |
|
|
| |
|
|
|
|
|
| Swell |
16 |
|
Chimney Flute |
8 |
|
| |
17 |
|
Viola |
8 |
|
| |
18 |
|
Voix Celeste |
8 |
|
| |
19 |
|
Principal |
4 |
|
| |
20 |
|
Harmonic Flute |
4 |
|
| |
21 |
|
Octave |
2 |
|
| |
22 |
|
Sesquialtera |
II |
|
| |
23 |
|
Mixture |
IV |
|
| |
24 |
|
Bassoon |
16 |
|
| |
25 |
|
Trumpet |
8 |
|
| |
26 |
|
Hautboy |
8 |
|
| |
v |
|
Swell Tremulant |
|
|
| |
|
|
|
|
|
| Pedal |
27 |
|
Open Diapason |
16 |
|
| |
28 |
|
Sub Bass |
16 |
|
| |
29 |
|
Octave |
8 |
|
| |
30 |
|
Flute |
8 |
|
| |
31 |
|
Choral Bass |
4 |
|
| |
32 |
|
Mixture |
IV |
|
| |
33 |
|
Trombone |
16 |
|
| |
vi |
|
Great to Pedal |
|
|
| |
vii |
|
Choir to Pedal |
|
|
| |
viii |
|
Swell to Pedal |
|
|
| |
|
|
|
|
|
Tracker key action : Slider soundboards
Electric stop and combination actions with sequencer
> click here to view main image of Cheltenham organ
The new organ for the Cheltenham Ladies' College stands on the upper rear gallery in the distinctive Arts & Crafts period Princess Hall. The site is complex, requiring the organ to be accommodated on the rising tiers of the gallery. The resulting limited height has dictated the layout of the instrument: Great and Choir are combined on common soundboards at impost level, with the Swell behind. The Pedal towers in C and C# sides display the Open Diapason pipes from 16ft F.

Above left: Pedal towers Above right: Great & Choir pipes
The rounded profiles of the case towers and the tracery of the pipeshades take their inspiration from the surroundings of the Hall. The case is of stained and polished Oak, with contrasting console woodwork of Maple with Ebony stringing details.

The organ was installed during the summer of 2006, and the inaugural recital by Dame Gillian Weir will take place on Saturday March 10th, 2007. The consultant to the project was Ian Bell.
