| Great |
1 |
|
Open Diapason |
8 |
|
| |
2 |
|
Stopped Diapason |
8 |
|
| |
3 |
|
Principal |
4 |
|
| |
4 |
|
Fifteenth |
2 |
|
| |
5 |
|
Sesquialtera |
II |
|
| |
6 |
|
Mixture |
III |
|
| |
i |
|
Swell to Great |
|
|
| |
|
|
|
|
|
| Swell |
7 |
|
Chimney Flute |
8 |
|
| |
8 |
|
Flute |
4 |
|
| |
9 |
|
Gemshorn |
2 |
|
| |
10 |
|
Larigot |
1 |
1/3 |
| |
11 |
|
Trumpet |
8 |
|
| |
|
|
|
|
|
| Pedal |
12 |
|
Subbass |
16 |
|
| |
13 |
|
Fagot |
16 |
|
| |
ii |
|
Great to Pedal |
|
|
| |
iii |
|
Swell to Pedal |
|
|
| |
|
|
|
|
|
Tracker key action : Mechanical stop action : Slider soundboards
click here to view main image of Millhouses organ
The Italianate style of this organ is designed to complement the neo-Romanesque architecture of the church. The casework is of English Oak, with front pipes of polished tin and carved Limewood pipeshades on a Celtic theme. The keyboards are overlaid with Blackwood and Bone.
This has been one of the very few occasions when we found it acceptable to install a new organ in a chancel chamber, rather than a free-standing case. It works well, due to the exceptional acoustics of the church.
